Friday, December 9, 2011

Em Mix Part 'B'



1 Improvisation Leonard Cohen (live)
2 A Childrens' Crusade On Acid Margot & The Nuclear So And So's
3 Thunder Road Bonnie 'Prince' Billy and Tortoise
4 Big Love Kevin Drew
5 Lightweight Apollo Ghosts
6 One Dove Antony and The Johnsons
7 The Dress Looks Nice On You Sufjan Stevens
8 The Only Living Boy In New York Simon & Garfunkel
9 We Need Love Johnny Osbourne
10 Like A Rolling Stone Bob Dylan
11 Victory Is In My Clutches Jay Electronica
12 California Soul Marlena Shaw
13 Holm Fredrik
14 New Instructions Broken Social Scene
15 Sangre Gitana y Mora Lole y Manuel
16 The Art Of Kissing The Long Lost
17 The Ballad Of Dorothy Parker Prince
18 Inside My Love Minnie Ripperton
19 Baby Gal Costa y Caetana Veloso (Tropicalia ou Panis Et Circensis)
20 Summer's Lost Heart Dirty Three
21 Snow On Mount Benson Apollo Ghosts
22 K-Stars Stereolab

Em Mix (Part 'A')



1 Riptide Beirut
2 On Tour Kurt Vile
3 Surrender Ólöf Arnalds
4 Fletta Antony and The Johnsons (with Björk)
5 Caught A Long Wind Feist
6 I Make Windows Forest Fire
7 Something On Your Mind Karen Dalton
8 Jimmy Randal John Jacob Niles
9 Lagrimas Negras Gal Costa
10 I Told Jesus Roberta Flack
11 M'Bifo Rokia Traoré
12 Volver Estrella Morente
13 Library Card Amulet Apollo Ghosts
14 La Javanaise Serge Gainsbourg
15 Soul Rebel Bob Marley & The Wailers
16 If You Think It The Emotions
17 It Hurts To Be Alone The Wailers (with Beverly Kelso)
18 Going Up Yonder The Edwin Hawkins Singers
19 My Lady Story Antony and The Johnsons
20 Strike Destroyer



Wednesday, November 23, 2011

Alight Birching

Monday, November 21, 2011

Who ARE You and What Are You 'Spinging'? / secneF + sraC dekraP ☚ / Towers of COPE / A Sweep Of Grasses / EYES / 21/11/11



'Sp/inging' = a conflation of: to Speak + Sing ☛☚ Sing + Speak



Starts Carrying No Bird in Hand but ‘Ends’ Eavesdropping 1 (in the Bush…)

The sequence as follows:

Intro With Grass ("auratic") 0.00 / Foray Into Bush 'Anatomy' 0.05 / de-focused Bird (dialogue?) 0.29 / Cold Berries 3.00 / 'Departure' 4.55 / The Colour Of 'Rust' 5.21 / sraC dekraP 5.30 / A 'Bar' of Crows 5.48 / Gutter Delta (Mirror) 5.58 / Soggy (Cereal Sounding) Leaves 6.15 / Pickets 6.44 / JANE BOUEY * 6.57 / DONALDA GREENWELL-BAKER 7.07 / AL BLAKEY 7.09 / BRENT GANBY 7.12 / JANE BOUEY * 7.17 / TIM LOUIS * 7.23 / Paper Moon Saucer 7.32 / Shadow Candelabras + Wires 7.40 / 'Reid Fleming' 7.47 / Tree Pirouettes 7.54 / 'Ghosted' Vine Silhouette (Trace) 8.00 / Traffic Belch 8.15 / Vegetal Vomit + Wicker Chair 8.22 / Shooting Tilted Hoops (Through Wabbit Whole) 8.39 / Combing Motion ('What's The SOund of Multiple Sheaves Smacking?') 8.47 / Repeat 'Rinse' 9.09 / Street-sweep 9.25 / 'Dude' 9.36 / Un-seen Tire Treads Peeling Wet Tarmac 9.42 / "cock tales" 9.51 / Fuzzy Zawa 9.53 / Four Ninety-Nine Five Ninety-Nine 9.57 / Unidentified 'Muse-ic' 9.59 / The Entrance Is The Exit 10.12 / "Honk Honk" 10.15 / "What a different at-most-fear" – The Story Of Fraser's Life 10.31 / "Can I get a CLOSE-UP of your hair?" – Sweeping Azzy's Lustrous Red Spill 10.47 / "Fabulous" "Fabulous!" 11.00 / Fraser's Thermodynamic Art 11.05 / "Chika-Chika-Chika-Chika-Chika-Chika-Chika-Chika-Chika-Chika-Chika-Chika-Chika-Chika-Chika-Chika-Chika-Chika-Chika-Chika-CHICK" 11.23 / "Ooo-ah" (+ Approach) 11.27 / Cups Gleam 11.29 / "Two Years" 11.34 / "Pssssssswwwtttt" 11.36 / Red Figure Holding A Dis-Embodied Head (Between Two Barren Trees) 11.40 / I Am Turning Into Brent 11.47 / EMILY 12.00 / "How Are You Today Kajin?" 12.03 / Um I'm Really Hungover, Really Happy 12.04 / "You Hung Out With Amanda Last Night" 12.08 / Yes I Did 12.10 / OH GEEZ 12.11 / A Lot Of Alcohol (They Had) 12.12 / "…Next Couple Of Hours" 12.17 / Reflection 12.17 / CUT 12.18

* = voted for (didn't win :( http://vancouver.ca/electionresults2011/ )

Saturday, November 19, 2011

WHO I’M VOTING FOR IN THIS YEAR’S 2011 CIVIC ELECTION


Met with Becca and went through the candidates list. Here're my choices. Now I'm off to cast my ballot…

☝K

ps. Some useful links provided, plus cursory contextual articles at the end :) K

Let's change this place to someplace we can live (& live with) ☝

Ken, Alaia and Kajin Make a Film



I met Ken and his daughter Alaia last year and since then we have become very close (that sounds like such an understatement). Our very first conversation was about society and documentaries…interestingly enough, for what else has changed?

Much.

Last month we started talking about story-telling, and the act of discovering one's life. Meanwhile, throughout all the time we've spent together – having coffee, random excursions, dinner at my place, sessions at his, and driving (lots!) we have been telling our stories. Maybe I do more listening sometimes, or maybe Ken opens his ears alternately to receive the spoken stream of my life. And often we talk while Alaia listens in the back-seat or in our homes, asking Ken questions about his past, and Ken will sift through what he remembers and tries to understand in a way that Alaia will understand. I have never known him to hide anything from his child.

In this way we came to start on this project, filming our conversations and lives. It's become apparent that there's an immense investment in getting to know oneself…and the process of trust and honest disclosure to the mirror of oneself (of 'I' to 'You', or 'You' to 'I' – in a way, that begins to happen the deeper one opens into friendship: the moment I see Myself in You). Our own lives are just so curious, strange, often troubling, but luminous as well, and illuminating.

This is an honest accounting. Not a single lie passes our lips in communion and dialogue with each other. I consider this a rare gift.

Ken, Alaia and Kajin Make A Film is an on-going process that may stretch to the end of our lives, whoever passes first, and may well continue beyond us. Because Alaia is making this film too, not only by participation, but by shooting with Ken's iPhone at times. And who knows, perhaps she will continue with this when we are gone.

This is the first clip I'm posting, witnessed this past Tuesday, November 15, 2011. There are others, to be shared as 'open' documents, without edits. Eventually whatever we record will one day be compiled into a series of 'films' or what they call 'documentaries', but I myself think of this as more of an ongoing, open-ended family portrait, or simultaneous autobiography-biography at the same time. It's also a voyage of discovery (like life itself).

I'm thinking lots these days of the lens of the camera (at this point, a humble $99 Kodak Zi8) as an instrument of truth and healing, of honest accounting, of 'effortless' witness, and of activating transformation.

I think, perhaps, I'm beginning to reveal or discover myself to be more of a Daoist than formally considered. The 'artist' as good Daoist – I like embracing that practice!

:) K

Here's a description of the clip above:


Ken and Kajin go to Port Moody - November 15 2011
We went to PoCo so Ken could meet with Angelo at Coquitlam Mall. Kajin met Angelo for the first time, and they really hit it off. We had a great, long, involved discussion in the food court, talking about the public school system, society and children. Ken ate from the salad bar, then Kajin got super-hungry and ordered a lemon grass chicken to go from the Vietnamese. We bid adieu to Angelo, then Kajin ate his lunch in the parking lot. We now had money (because before we were broke) so we drove to an off-license and spent some time choosing a bottle of red. We opted for the Cono Sur from Chilé, Pinot Noir, an organic grape, vintage '09. We thought of buying plastic cups, but the lovely cashiers gave us each green-sleeve glasses from the Rolling Rock Extra Pale Ale Company. We got back in the car and Ken talked about being a dad, Alaia, her school, his concerns about the way her teacher was treating her. We then drove to the Salmon Hatchery at PoMo, got a little lost, but back-tracked and entered. Kajin forgot his smokes so we went back to the parking lot and then into the park, on the trail, at which point Kajin switched his camera on. The light captured seemed wrong so they tried a new trick filtering the lens with Kajin's sunglasses. It worked better, and now the screen looked closer to the light cast by the day onto the forest and trail. We went to the bridge, and talked about our fathers, the wine we were drinking, Ken's mother, and watched the sun leave.
This film is dedicated to the spirits of Ken Andrew Hopkins and Goh Poh Seng, and to Ken's mom Linda (Hopkins, Gibson or Durkey). If anyone watching knows who or where she is please let us know.

kakfilms@gmail.com

kakfilms.blogspot.com/

Love, K, A and K, 2011

Friday, November 18, 2011

The Lips Are Alright ♥

This 'happened'.

More accurately: Something happened last night, @ the lovely and beautiful Little Mountain Gallery at 26th and Main in Vancouver.

We played ZAIREEKA, the mind-melting Flaming Lips' 4-CD album constructed to be played simultaneously on 4 playback systems.

Becca and Amanda helped me with this, the inaugural event for the just-birthed Greater Vancouver Music Appreciation Society.

Event description following. More reflections on the experience to come…

:) K

_________________


Hand-drawn poster by Amanda Cassidy
Click to Enlarge


Tuesday, November 15, 2011

November 15 - McSpadden Walk, Vancouver



Morning walk over frosted surface - through McSpadden Park, VanTerminal City at approx. a quarter to eight, November Fifteenth Two Thousand And Eleven, on way to a fine cuppa beans @ Prado Café on Commercial Drive. Non-diegetic sounds approximating whatever was porting through my head-phones at the moment (played at a volume which is uh potentially tinnitus-generating). The buzz in 1's ears continues (past the experience delivered) :) ☝K

* "A ©hildren's Crusade on Acid" ☛ Margot and The Nuclear So-&-So's. I don't own any of the rights to this mu$ic so help me God *

Saturday, November 12, 2011

Slight Birching Re-Baptizes the Mountain ☛ November 12 2011



A luminous set by the ever-evolving (barring one) members of Slight Birching before Sean set off for the collapsing (opposite) Euro Zone Tuesday. Can't think of a lovelier way to re-open Little Mountain Gallery to music…the timbers there are drenched with the vibrations of lovely, intimate, and (sometimes) wild concerts past. Thank you Sean, thank you Ehren, thanks Enzio, Chris-a-riffic, Daughter of Khan, Kevin Romain, Chris Ellis & everyone lighting up the stage and off-stage (that includes Amanda, Jeff, Caitlin, Besh, Brent, Christine…you are too many to name and hug from a distance here but I try!)

♥ K

http://www.littlemountaingallery.com

http://slightbirching.bandcamp.com

Thursday, November 10, 2011

The Amazing Malian Blues of Bassekou Kouyaté



The most amazing show of my life! No kidding…Bassekou Kouyaté & Ngoni Ba - live at St. James Hall, Vancouver, November 10, 2011.


Will write more about this soon…

Monday, November 7, 2011

Leaf Film



November seventh, Two Thousand and Eleven, eight-something in the am. On way to first coffee at Prado, threading down the path at McSpadden Park; caught sight of a lone autumn leaf suspended in the air by the tenderest sliver of spider web. Like a feathery boat borne aloft invisible gusts. 'Dramatic' incident at 3.11 mins. Part 'two' to follow. ☝K

Thursday, January 6, 2011

Oh-Eleven Blues – a Meditation on My Dad


Six days into the New Year…

Been thinking of my dad these past few days, just four days short of the anniversary of his death.

Perhaps explaining why I've been feeling 'blue' since Monday. Woke up with the feeling of something missing…a quiet and unnerving sense of groundless-ness, listless-ness even, which I haven't been visited by for some time.

Writing late into this morning to finally put some thoughts down. And to reflect on what has gone on this past year.

At this time last year I was either sleeping at the Sunset Inn or the Palliative Care Unit of St. Paul's Hospital. That is, if I was able to sleep at all.

At this time last year my father was fighting – and losing – a third round of aspiration pneumonia brought on by complications from Parkinson's Disease.

What this means is at the developed stage of his Parkinson's, it became an increasing challenge for my father to properly swallow many foods, especially fluids. On occasion, matter would descend down the wrong side of his windpipe and lodge in his lungs, bringing about the onset of infection.

He fought – and won – roughly twelve or thirteen bouts before this last, and severe infection overpowered him.

But there's more to that story. Definitely more than I can write here in one sitting – which has to do with all his life up to the point he entered the Geriatric Ward of the hospital in early November of 2009, ostensibly due to a fall, and also for in-care monitoring of his vast battery of prescription drugs.

The story involves fifteen years of living (as bravely as he could) under the sentence of a degenerative condition he was well equipped to grasp the terrible import of, as a medical physician himself. However, the real import, and the struggle, came in the living itself, and the precognition of what would be coming further down the pipe.

But this story also very much involves not only my father – and the gradual as well as increasing loss of his capabilities (and to some degree, faculties) – but the whole warp and woof of his corresponding society…his family, his friends, relative strangers, and the 'professional' 'care' he had to appeal to, depend upon, and sometimes unwillingly be subjected to.

A year ago on this date I knew my father was losing the fight. He'd been slipping, and recovering, for three months. There had been an earlier period of recovery when not only myself, but he too believed he might pull through. And then – a few days before he was gone – came the moment when I knew – and he knew – he was not to be here much longer.

I can't write all of that experience here, though I plan to. Whether to one day be released to the world or extinguished by bic lighter I don't yet know.

What I do know is that I do miss my dad. But also that I can't think of what's 'fair' or not 'fair' in this experience of living anymore.

Last year could be termed a year of losses…my father in January, my grandmother just a few months after. Personally, it's been going on four years of losses of one kind or another – of a major life partner, and then a withering depression that witnessed the loss of not only any semblance of joyful or pleasurable experience, but of a notionally worthy 'self' and even of any sense of meaning. But I don't know either if anything can be properly summarized, described or quantified in those terms either…as if life could be claimed to revolve around 'gains' and 'losses'.

I held my father's hands as he was dying. His system was failing fast. I'd been on the line to my kid brother in Montreal when the nurse alerted me. Looking back at the difficult, irreversible, inevitable, approaching moment of his last breath…is like fading to a gradual burn to white-out on film. Which is not to say I don't remember…it's just that memory, time, everything gets extinguished.

When my father's life ebbed something in me ebbed out too…the end of an illusion. I can't say there's any such thing as a dividing line between 'life' and 'death', in which one is 'alive' on one side and 'not alive' on the other. If I were to think of life/death (which I wouldn't choose to describe as 'not life'…just some'thing' un-knowable, and in-describable) as a shoreline, then whatever it was that was the energy or animating spirit of my father 'alive' in this world, was withdrawn like seawater receding from sand. Even withdrawn quickly (which it wasn't), something remains in the material form as the fluid draws out, but less and less so – almost imperceptibly – til it is indeed apparently 'gone', or without trace.

I'm hesitant even to describe it that way…or to use what seems like a potentially arbitrary and indulgently 'poetic' turn of phrase. What happened was that I held my father's hands and looked into his eyes and spoke to him as he struggled to breathe, and I could see in his eyes that he knew he was going, and moving beyond language, but not beyond love, and I was telling him his wife – my mom – would be there soon, though she never made it on time and I was both the lone witness and alone when the warmth started to slowly, very slowly recede from his hands.

I also know he didn't want to die, and there was fear, but he couldn't stay. I know that as long as I held on to his hands he would not go in so much fear, or that the fear would be less, and the love would be stronger, even though there was something painful mixed in this light. I know that even with almost all his strength gone from him that the final two tears spilling from his eyes were – oh fuck – both his regret at leaving the world and the welling up of love for those he was leaving behind, and himself too, who would be left behind in the form he had taken here.

At the age of seventy-four, I feel my dad still had a lot of living to do. There were some things that didn't need to happen which led – in one way or another – to his dying there and then, in that room, in that ward, and in that hospital. I don't say this with post-facto rage against any perceived 'senseless-ness' of dying. I say this because of the potentially avoidable circumstances, and practices and behaviours which expose some of the most vulnerable among us to neglect, abuse, manipulation, dis-empowerment, and dis-humanization.

I haven't become angrier since my dad died. Or, I should say I'm 'angry' or roused at times in a different way. There are some things I just don't want to let pass anymore or accept as 'reasonable' and fixed as the 'way things are'. But there are also many more things I'm no longer as bothered by, or recognize as less worthy – even delusional – to agonize over.

So here I am, this 6th of January of the 'baby' year…not having intended when I sat down at the console to move into or relate that experience, but realising how deeply it's been informing my present frame of mind.

I'm feeling a kind of restlessness with myself which I would pin as an inner directive to 'get real' (yeah, Doctor Phil colonized that one…and which 'real', anyhow?)…a term I'm not fond of but by which I mean – to get closer to the wheel of this experience, and to pass through those barriers which lead us to dwell in possibly gilded cages of 'un-examined life'.

And also, I miss my dad.

K